A Morning with Rama Rau - Hot Docs Filmmaker Series

Hot Docs, you are spoiling me WAY too much. Patricia Rozema - Alethea Arnaquq-Baril - Christina Jennings - and now Rama Rau!

Rama directed THE REHTEAH PARSONS STORY, MARKET, and most recently LEAGUE OF EXOTIQUE DANCERS.

Hearing her talk was electrifying. She was honest, decisive, and human like the rest of us struggling filmmakers.

"You get as much as you put into a film" - she said.

I'd never thought of it that way, but it makes total sense. As a filmmaker you have to find a balance between keeping distance from your story and also being passionate about it.

My favourite thing Rama said is that their is "no manual." And THAT'S something they don't teach you in film school. Each story demands a different kind of treatment.

What's her secret? Rama admitted that they way she is able to get so close with her subjects and foster a trusting relationship is by giving half herself. This is the part where she mixes her passion and distance together. She said, "it isn't about money. It's just what I am genuinely interested in doing."

Then she laughed and said to all us filmmakers in the audience, "honestly if you can do something else, do it..."

How does she connect with a story? This part was my favourite. She said, "the story puts a hook in me and pulls me. I want to do this for the audience."

She really emphasizes this back and forth energy that is transferring between her and the subjects and then her and the audience. It was never about "me". It was always WE.

Part of making a successful film is making the themes universal. You have to first ask yourself, is there one specific thing in my story that I can make speak to people?

Finally, the honesty came out. She talked about being a women, being brown, and being a director. Her first look into the film industry was being on Bollywood sets in Mumbai. She said you really have to act like a man to be respected (unfortunately). Coming to Canada, though, afforded her the opportunity to tell the kind of stories she was longing for: those with female protagonists.

"You learn failure."

That is one lesson I will carry with me moving forward in my own career. Thank you again Hot Docs for bringing this inspiring bad ass woman to the theatre for a talk.

If I had known about Patricia, Alethea, Christina, or Rama growing up, I think I would have jumped at being a filmmaker much quicker. Four amazing role models, successful in their own way.

Looking forward to all of their amazing next projects!

- Jenn

A Morning with Patricia Rozema - Hot Docs Filmmakers Series

A friend of mine pointed me in the direction to a new and amazing filmmakers series at Hot Docs. She was most excited to see Patricia Rozema, and I instantly signed up - feeling her excitement and mine grow! The series is moderated by Linda Barnard, a journalist / writer who previously championed another series focusing on gender. 

Meeting and hearing Patricia Rozema was like eating a perfectly cooked Creme Brulee. Everything she said was liquid gold. She was eloquent, spicy, and just a bit fantastic.

Patricia shared her philosophies as a director and I was so inspired by her wisdom:

PATRICIA ROZEMA

"art defines the human condition. So far, we have only defined the male condition" 
"there has to be intent behind the images"
 "I want to make people feel less alone. That's what drives me"

In discussing I'VE HEARD THE MERMAIDS SINGING, Linda asked Patricia how she came to write about the main character as she was so real and relatable. Was this person real and drawn from her own experiences?

Patricia answered that "character is story. If you know them, you know what they will do." This is how she wrote about Polly. "I knew she was out of fashion, and took the street car and liked film." BUT Patricia didn't want the film to be too self-reflexive (a film about a filmmaker making film) - so Polly became a photographer, and had Walter-Mitty-esque experiences through developing the negatives of the each photo.

ON MUSIC

One of the most compelling aspects of a Rozema film is the music. The dynamism in INTO THE FOREST coupled with the growing anxiety and Eva's dance practice to a metronome creates a sensual and gripping experience for the audience.

"people underestimate how powerful music is"
"it is important to find the right level of vibration with your composer"
"music is the art at which all other arts aspire"

ON FICTION

Patricia shared insightful tips about story and arc. She said, "fiction is always examining morality." There is a tension and release - which she believes is the key principle of beauty. The tightness and expansiveness of breath. Finally, the choices the characters make are always moral

To find the heart of the story, you have to understand the push and pull in the universe. There is art even in the things that are not seen.

Patricia concluded with a wonderful thought, that the best images are the ones that are written. Coming from such a talented scriptwriter and director, I was truly inspired by this amazing Canadian filmmaker! Until the next series...

- Jenn

At Shutter Speed - So Far This Year

As TIFF is coming around the corner, I had a moment to reflect this morning about my year. I looked back on all the wonderful people I have had a chance to work with and some truly outstanding projects. These I shall relate to you in a JAMES JOYCE rambling sort of way. Apologies:

My year started off with a bang, and I was able to work with a dedicated team to produce a local award show that honoured ingenuity and entrepreneurialism in Canada.

SPIN MASTER

Working with a truly creative team at SPIN MASTER and maintaining a connection with my favourite creative director of all time, MIKE ARNOTT, and all my friends (cough cough Rachel, Dave and Sylvia).


GINUWINE CONCERT

Next came a GINUWINE concert at The Danforth Music Hall. I met two ambitious and hard working producers from IMPOSSIBLE Productions and we nailed it. Literally!

GINUWINE | DANFORTH MUSIC HALL

GINUWINE | DANFORTH MUSIC HALL

DELON | BTS | DANFORTH MUSIC HALL

DELON | BTS | DANFORTH MUSIC HALL


DOCUMENTARY PROMOS

I have also been working closely with two talented producers / directors to help them create documentary promos that aid with outreach and funding initiatives.


HOT DOCS

OH, and of course working with the best team ever at Hot Docs 2016 this past year was a journey I shall never forget! I got to see 15 docs and met a wealth of talented people. If you can, go see: HOLY HELL, LEAGUE OF EXOTIQUE DANCERS, UNDER THE SUN, and MR GAGA.

ME | HOT DOCS 2016

ME | HOT DOCS 2016

BLOOR TEAM | HOT DOCS 2016

BLOOR TEAM | HOT DOCS 2016


SHORT FILM

Working with an amazing group to produce a short film! We filmed at a local shop called Tatyana's Boutique and braved the five degree Canadian weather (it was a piece of cake, eh?). Looking forward to seeing the final results!

TATYANA'S BOUTIQUE | TORONTO

ACTORS AND CREW | TORONTO

ACTORS AND CREW | TORONTO


TORONTO SYMPHONY ORCHESTRA

I am currently partnering with an outstanding team who will be producing videos for The Toronto Symphony Orchestra. All 24 concerts, and here we come!

ROY THOMPSON HALL | TORONTO

ROY THOMPSON HALL | TORONTO


LADIES SOCIETY

Just a week ago I got to spend an entire evening with the most inspiring and wonderful group of women. SHELLEY SAYWELL (Emmy nominated director), Deborah Parks (outstanding producer), Mary-Ann Bedard (City of Toronto, and the most heartfelt person), Jackie Garrow (Impact Producer, and mother of two), and Jean Stevenson (Maddison House, and the life of the party). 

We talked about everything under the sun, unrestrained. I felt as if I were in some secret society and club in which we wile away our time drinking wine and talking philosophical jargon. 


COAL MINE

I was invited back to work with the team at The Coal Mine this season and AHHHH it has already be crazy and fun and amazing. Looking forward to some rock'n'roll theatre on The Danforth!

DESIGNED BY KOSTIS PETRIDIS


MUFF SOCIETY & HER-STORY

AND, if that isn't enough, I have been so honoured and involved with The MUFF Society for 2 years and now will be spearheading out Documentary Series called HER-STORY and oh my, I cannot wait to tell you the line up of amazing female documentarians we have in store for you Toronto!


I haven't even begun to process just how blessed I feel.

I must close with a final note. My mind is overwhelmed in the best way possible and my heart is ready to burst. Thank you thank you thank you to all the people who have made my life amazing this past year.

- Jenn

National Canadian Film Day & Hot Docs

What a crazy four months it has been for me and At Shutter Speed. It is officially the new year for my blog, but I am already a third of the way through the year. So happy 1/3 third of the new year!!

I think it is the perfect day to blog because tomorrow is National Canadian Film Day and next week Hot Docs International Film Festival begins.

NATIONAL CANADIAN FILM DAY

If you are an avid movie goer, a film bluff, or a patriotic Canadian, then this day is meant for you!

What is this day you ask? All across Canada, theatres in select cities are screening only Canadian Film. Most screenings are free too!

SCHEDULE HERE.

Here are some in my hometown, Toronto, that I am most excited for:

  1. The Grand Seduction | CBC Atrium | April 20th | 7PM
  2. Ginger Snaps | Fox Theatre | April 20th | 7PM
  3. Corner Gas: The Movie | Brentwood Library | April 20th | 2PM
  4. Dr. Cabbie | York Memorial CI | April 20th | 9AM

TWITTER | WEBSITE


HOT DOCS INTERNATIONAL FILM FESTIVAL

North America's largest international documentary film festival is just around the corner and I could not be more excited.

Last year, I was able to watch 22 films (on top of working and attending all the parties and networking events). PHEW.

This year, I've been fortune enough to take advantage of film screeners, and will be telling you some of my festival favourites.

  1. How to Build a Time Machine | dir. Jay Cheel
  2. Holy Hell | dir. Will Allen
  3. Girls Don't Fly | dir. Monika Grassl
  4. Under the Sun | dir. Vitaly Mansky

Jay Cheel takes us on an extraordinary adventure between two characters obsessed with "time travel". One drawing inspiration from H.G. Wells novel The Time Machine, while the other, a professor of mathematics, wanting to find an equation that solves time travel.

Holy Hell is exactly as it sounds. Filmmaker Will Allen joins The Budhist Society in California with a hundred other members. What starts as an ideal retreat and community focused group turns into a nightmare. Watch as the leader of the group destroys each persons life in his own masochistic pursuits of an ideal society.

Girls Don't Fly drew my attention initially because of the title. I said to myself, what do you mean girls don't fly... of course we do. In a small Ghanaian town, a group of determined and strong willed young women attend a local flying academy. Their dreams of a better future for themselves and their families seem distant and far away, and they endure verbal abuse from the director of the academy. He is a British imperialist with archaic views of Ghanaian culture. At the heart of this sad story is white colonialism taking place today. Will the women prevail over the male white power? Watch and see!

Under the Sun is one of the most clever documentaries I have ever seen. Fighting strict filming limitations, the North Korean government and its control over the image, director Vitaly Mansky tells us a story and asks us to read in between the lines. In this case, I mean that he shows us footage in between each take - before the government official yells "ACTION". "WAIT," you say, "action?" "Is this not reality, is this not a documentary showing truth?" Truth for us is recognizing the lie in each scripted and practiced dramatizations. The government attempts to show us an ideal family through the perspective of an eight year old girl. However, there is nothing ideal about the situation or family or work environments. The horror unfolds and the pressure reaches its peak at the end, when the little girl is unable to contain her tears. We are left hearing the final words of the government official regulating the shoot, "tell her to stop crying. Think of something happy."


What am I most excited for? 

  1. Ovarian Psychos
  2. Mr. Gaga
  3. Ants on a Shrimp
  4. Sour Grapes
  5. Apology
  6. League of Exotique Dancers

The list really does go on but I had to hold back for the sake of making this a relatively short blog.

TWITTER | WEBSITE


There is so much film action going on in Toronto this month. I hope you have the chance to go out and share in the success of all our great Canadian filmmakers!

- Jenn

A Night with Noah Bingham, The Secret Trial 5

In my final week Bootcamp Producer course with the DOC Institute, Toronto, I had the privilege to hear the story of Noah Bingham's extraordinary journey.

Noah Bingham is the producer of The Secret Trial 5, a documentary that had its festival premiere at Hot Docs 2014 and a theatre premiere the following year.

A quick snippet of the synopsis from the website:

"Imagine spending years in prison without being charged with a crime or knowing exactly what you're accused of. A film about the human impact of the “War on Terror,” The Secret Trial 5 is a sobering examination of the Canadian government’s use of security certificates, a Kafkaesque tool that allows for indefinite detention without charges, based on evidence not revealed to the accused or their lawyers ... Through the experience of the detainees and their families, the film raises poignant questions about the balance between security and liberty."

The journey started in 2009. Noah's school friend Amar Wala, director & producer, had just finished creating a short film about one of the families described above. The film was called The Good Son

Both were so excited by the intense story and were interested in developing the idea into a feature length doc. The project began with a "lean production" and an "out-of-their-pocket funding" model.

Both wanted to pitch to a broadcaster to source traditional funding for their feature. They were rejected and never back. Not willing to give up, they sourced other methods to raise money. This propelled them to create a kickstarter / crowdfunding campaign. The first campaign, largely supported by friends and family, raised enough for them to continue production and pay for the website and promo video. Noah Bingham showed us the video on their first crowd funding campaign and I was immediately pulled into the story and awed by the creativity and way the story was told. 

Production continued. Two years later, Noah and Amar launched another crowdfunding campaign. After building a community of followers and interested activists, this campaign grew to be very successful and they were able to pitch their idea at Hot Docs with the Cuban Hat. While not winning the final votes, they won over the industry and created enthusiasm.

This led to contacts which led to money being invested into their film. They got an office space, editing suite and continue the film into post.

Still no broadcaster and no solid investor that would have otherwise made their lives a lot easier. However, Noah did remark how grateful he was to have been allowed to see the full process from start to finish due to budget constraints, because everyone was wearing multiple hats.  

Three years into production, Arts Council Toronto came in and offered funding. Noah and the team headed to DOC Ignite (2013) and reached their goal, receiving more funding and reaching new audiences.

With a film in post and needing monetary support, Noah approached Telefilm Micro Budget. They were able to apply because

  1. Amar had only been out of school for three years, and
  2. they planned on carrying out a hybrid distribution strategy:
  • both in theatres and digitally online.

With the film done, The Secret Trial 5 became a Hot Docs 2014 Festival Selection and sold out all three nights. They successfully completed a deal with Blue Ice Docs, a distributor. The film was a greater hit in the festival than it was in theatres at the Bloor Cinema. There are no monetary assets given to the filmmakers at the Bloor.

Noah wanted to create an even greater buz and expand their thriving online community further. They launched a third successful crowdfunding campaign. This gave Noah and Amar enough to travel around the country touring their movie.

You can check out their movie online here, for one small payment of $9.00.

This story proved to me that through hard work, commitment, and dedication, you really can bring your ideas to life with support and creativity. 

Congratulations Noah, Amar, and the rest of the team! This is one story I will never forget and look forward to diving head first into your film.

Click HERE to purchase the film online.

- Jenn